Art by John Guy Johnston
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One of my coin sculptures from the late 90s, installed here as part of my Face Value exhibition, Gallery 19, Sydney, 1999. I was thinking a lot about the peculiar economics of contemporary art at the time, and wrote my master’s thesis on that subject. The international art market has grown considerably since then, and ultra high net worth investors (UHNWI) are some of the world's most prominent contemporary art collectors. 40,000 x 5c coins 300 cm x 150 cm – #contemporaryart #artgram #sculpture #installation #art #investment #money #nzart #artcollecting #artmarket #artworld #artcollector #artwork #artstagram A post shared by John G Johnston (@jjprojects) on Aug 21, 2017 at 3:02pm PDT
One of my coin sculptures from the late 90s, installed here as part of my Face Value exhibition, Gallery 19, Sydney, 1999. I was thinking a lot about the peculiar economics of contemporary art at the time, and wrote my master’s thesis on that subject. The international art market has grown considerably since then, and ultra high net worth investors (UHNWI) are some of the world's most prominent contemporary art collectors. 40,000 x 5c coins 300 cm x 150 cm – #contemporaryart #artgram #sculpture #installation #art #investment #money #nzart #artcollecting #artmarket #artworld #artcollector #artwork #artstagram
A post shared by John G Johnston (@jjprojects) on Aug 21, 2017 at 3:02pm PDT
From the dusty slide archives, in a time before web. This is a work made in 1992 while still at Ilam art school: Friendly Frigidaire, comprised of fridge condensers and gas bottles. I remember that the hole in the ozone layer (periodically over NZ) was big environmental news around that time, with chlorofluorocarbons in refrigerants and aerosols being a significant cause of the problem. Thanks to the Montreal Protocol on Substances that Deplete the Ozone Layer, CFCs have been progressively banned internationally since then. I remember I was kind of obsessed with @ashleybickerton's “commercial pieces” and “Anthropospheres” around that time, as well as having a fondness for minimalist sculpture. Part of this "A Comfortable Environment" series was shown as part of a small group show at the Dunedin Public Art Gallery the following year, curated by William McAloon (RIP), but not this particular piece installed at the Ilam Campus Gallery in '92. #sculpture #contemporaryart #nzart #installationart A post shared by John Johnston (@jjprojects) on May 29, 2017 at 2:43pm PDT
From the dusty slide archives, in a time before web. This is a work made in 1992 while still at Ilam art school: Friendly Frigidaire, comprised of fridge condensers and gas bottles. I remember that the hole in the ozone layer (periodically over NZ) was big environmental news around that time, with chlorofluorocarbons in refrigerants and aerosols being a significant cause of the problem. Thanks to the Montreal Protocol on Substances that Deplete the Ozone Layer, CFCs have been progressively banned internationally since then. I remember I was kind of obsessed with @ashleybickerton's “commercial pieces” and “Anthropospheres” around that time, as well as having a fondness for minimalist sculpture. Part of this "A Comfortable Environment" series was shown as part of a small group show at the Dunedin Public Art Gallery the following year, curated by William McAloon (RIP), but not this particular piece installed at the Ilam Campus Gallery in '92. #sculpture #contemporaryart #nzart #installationart
A post shared by John Johnston (@jjprojects) on May 29, 2017 at 2:43pm PDT